We’re Too Obsessed With the ‘End’ of Everything

The death of stuff is greatly exaggerated

Drew Magary
Forge

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Illustration: Laurie Rollitt

Everything is dead now. Self-help is over. I don’t know what remote-access VPN is, but that’s done, too. The office has died. Not the show, which will stream until the sun turns into a lump of coal, but the actual physical space of an office. The bra has also died. If you read The Atlantic, you have attended impromptu funerals for men, reality, work, democracy (fair enough), and the American church. Newspapers and magazines, travel marketing (oh no!), comedy, and mayonnaise have all died. This very publication has indulged in the phrasing from time to time.

Reading about the mythical death of something can be as satisfying as writing it. These are morbid times. Death is on everyone’s mind, and if someone out there has assigned it to something you’ve always found suspect — living rooms, freeways, buddy comedies, Burger King — then it can provide a little, black shot of dopamine to your addled psyche.

The problem, of course, is that not all of us have good boundaries when it comes to overstatement. When I click on a “The Death of Underwear” story, I already know underwear isn’t dead. I get the metaphor right away and engage with the article with that understanding already firmly established.

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Drew Magary
Forge
Writer for

Columnist at GEN. Co-founder, Defector. Author of Point B.