How Much Is a Word Worth?

Declining pay for freelance writers hurts more than just the quality of the prose

Malcolm Harris
Forge

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Illustrations by Jessica Siao

When people who read magazines read an article in a magazine, I don’t imagine they know how much the writer was paid. As consumers, we aren’t responsible for what workers make; market competition and minimum wage laws take care of that. So, as long as we pay for our purchases and we pay our taxes, we’ve done our part. We assume there’s some rationale to the pricing of labor, with industries coalescing around sensible rates that increase over time according to inflation and productivity.

But labor markets don’t always work much like that, and if anyone should know, it’s a freelance writer.

Freelance writers have long tolerated a wide range of rates. Nearly a century ago, a writer named Ring Lardner declared that he would “rather write for the New Yorker at five cents a word than for Cosmopolitan at one dollar a word.” It’s hard to think of another profession in which pay for comparable work can vary so much from assignment to assignment.

One of the benefits to freelancing is that writers can place value on rewards other than money — like being part of a hip new project, like the 1924 New Yorker. But the downsides are many, and as a result, most pros today find themselves still answering the…

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Malcolm Harris
Forge
Writer for

Author of “Kids These Days: Human Capital and the Making of Millennials” malcolmpharris@gmail ☭